
B-2 Black, 18"x18"x2.25", resin, paint + graphite on clayboard, 2009
an art log of a studio in Massachusetts, USA
























Y-1 Aqua, this piece was selected to participate in the Cambridge Art Association's Northeast Prize Show juried by William Stover, Curator of Museum of Fine Arts, Boston. Exhibition Dates: May 14 - June 25, 2009. You're cordially invited to an opening reception with the artists on Friday, May 29, 6-8pm. Reception will be held in two gallery spaces, at the Kathryn Schultz Gallery at 25 Lowell St., and at University Place in Harvard Square, Cambridge... > More info

I am part of the 100 guest artists who will display in the big, open Group Space on the Ground Floor of the building at 560 Harrison Avenue. This space is a former large office space, it's carpeted, well-lit, and heated. Each artist's open-area space is approximately 10 feet x 10 feet. I will have some 20 smaller pieces displayed in my 10x10 white cube at this Group Space."... FROZEN in motion and immortalised in time, glistening droplets come to life and dance under lights. But despite their polished brilliance, their beginnings are humble...."
- RouWen Lin, The STAR Magazine Kuala Lumpur Malaysia, March 2009
"...Though a sense of cleanliness and structure dominate the works there is a luminosity and tactile quality about the thick hard resin drops that contributes a juicy texture to the pieces. Though the works rely heavily on geometric forms and vaguely architectural elements, they avoid projecting any kind of rigidity. In fact, the epoxy resin layers have a hard candy-like quality to them, appearing as though they may melt in the viewer’s hands, or dribble down the wall come summertime...."
- Caroline Scannell, Collegian, UMass Amherst, March 2009.
"You might want to tie your hands behind your back when you look at Sand T's new paintings. The Malden artist is a big tease at "Touch Me Not," her new solo exhibit of glistening, shining surfaces that will tempt you to reach out and touch to see if they're really wet. The show's theme is simplicity, repetition, and structure. And if you're worried that you'll succumb to temptation, find the one painting that you can touch titled "Please Do Touch."
- June Wuff, Boston Globe, June 2009
"Amazing in every sense! Its hard for me to find the words (as clichéd as it sounds). Best way for me to describe it is to call it a sensory experience. I don't know why, but I have a strange attraction to it, the visual aesthetic is strangely magnetic. It comes at you with its sensuous shapes but at the same time draws you in creating a distorted sense of space...from such a small space! It is one of those curious pieces that holds within its grasp the potential to become an iconic piece of art. That, or a perfect opportunity to squeeze some kind of metaphysical meaning or interpretation for those inclined towards the esoteric. Last century, we had Warhol's oddball Campbell Soup to lift an everyday object into an iconic representative 'zeitgeist' of the age, perhaps in this new century, we have a new contender..."
- Alvin Yang, Australia, March 2008
"Sand’s latest work (the resin/plexi series) must be seen in person to be fully appreciated. Highly polished surfaces after a rain shower is the best way I can describe the superficial treatments of these pieces. Sand has manufactured two varieties of these “water-beaded” panels: deep black and clear-translucent. The black versions are magnetic and serious in their depth while the clear-translucent ones possess an optimistic jewel-like character. It is hard to say which style is more successful; they alternate in importance. The obsidian density rules one day, the sparkling crystal the next. Regardless of this power struggle, they both offer the viewer fascinating visual qualities."
- Wes Kalloch, Massachusetts, December 2007
"... Luminous dried resin drops build patterns that look like individual trapped drops of water. Random irregularities can make the drops look like cellular activity or even malfunctioning of motherboard, in the mostly rectangular grids. Careful timelines filled with playful surprises, they are exciting viewing."
- Roanna Forman, artscope magazine Jan/Feb 2008 issue.